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Friday, January 04, 2002
Reaching for the Global
by Michael Burawoy I hope this entry will be the beginning of an onslaught of entries concerning the sociology of deviance. My lunch break is over, but more later, I swear. Goffman's remarkable insights-now commonplace-into how asylums produce rather than correct mental illness inspired and justified deinstitutionalization the world over. In a parallel argument, Howard Becker pioneered new approaches to "deviance," or what Thomas and Znaniecki had called "disorganization." Taking the standpoint of the underdog, Becker argued that there was nothing intrinsically deviant about the marihuana smoker or the dance musician. He showed that by labeling as outsiders those it regarded as disreputable, society exacerbated their "deviance." This was, of course, an old Durkheimian point, but it also demonstrated an oftquoted maxim of Thomas's, that if asocial situation is defined as real then it is real in its consequences. For Becker, as for institutional ethnography in general, it was sufficient to take the side of the underdogs and to show that they were being labeled deviants and punished accordingly. But he did not explore the broader context of labeling-who labels whom and why or how "deviants" contest their labeling.
Mainlining Postmodernism: Jenny Holzer, Barbara Kruger, and the Art of Intervention
by Walter Kalaidjian Throughout the 1970s and 1980s one specific site for exposing and interrupting the popular media's production of consumer society has been its sexist inscription of gender. Responding to the spectacle of postmodernism, critical artists like Barbara Kruger, Jenny Holzer, and Hans Haacke have adopted tactics of quotation, citation, and appropriation that were pioneered some five decades earlier in Benjamin's examination of international Dada and the Russian futurists in such essays as "The Work of Art in the Age of Mechanical Reproduction" and "The Artist as Producer."^21^ The challenge that Benjamin laid down was for every author to become a producer, every artist a theorist, in the general remapping of generic boundaries, aesthetic traditions, and cultural conventions that the age demanded. Not incidentally, in photography this political equisite entailed a subversion of "the barrier between writing and image. What we require of the photographer," Benjamin insisted, "is the ability to give his picture the caption that wrenches it from modish commerce and gives it a revolutionary useful value" (AP 230). In thus linking photographic activity to language and signification, Benjamin's critique of photographic mimesis looks forward to Roland Barthes' postwar argument that "the conventions of photography . . . are themselves replete with signs." In the age of mass communication, as Barthes would go on to argue in the 1960s, every pictorial form is always already a linguistic text.
Stranger in a Strange Land: The dismay of an honorable man of the left
By Christopher Hitchens Christopher Hitchens is annoyed with liberals, again. For Chomsky, everything these days is a "truism"; for him it verges on the platitudinous to be obliged to state, once again for those who may have missed it, that the September 11 crime is a mere bagatelle when set beside the offenses of the Empire. From this it's not a very big step to the conclusion that we must change the subject, and change it at once, to Palestine or East Timor or Angola or Iraq. All radical polemic may now proceed as it did before the rude interruption. "Nothing new," as the spin doctors have taught us to say. There's a distinct similarity between this world view and that of the religious dogmatists who regard September 11 in the light of a divine judgment on a sinful society. But to know even what a newspaper reader knows about the Taliban and its zealous destruction of all culture and all science and all human emancipation, and to compare its most noteworthy if not its most awful atrocity to the fall of the Bastille ... You go, girl. | ![]() |
RECENT MUST-READS: To Our Readers film prof Ray Carney plushie/furry subculture - - - - - Goffmania is a weblog dedicated to the influential American social psychologist Erving Goffman. Who's responsible? Neel is a college student in eastern Pennsylvania. Jason is a writer in the Midwest. Sue has driven a school bus in Wisconsin for 34 years. Goffman links: Excerpts from The Presentation of Self in Everyday Life Article: Celebrating Erving Goffman - - - - - Goffman Biography A sociologist well-known for his analyses of human interaction, Erving Goffman relied less on formal scientific method than on observation to explain contemporary life. He wrote on subjects ranging from the way people behave in public to the different "forms" of talk, and always from the point of view that every facet of human behavior is "significant in the strategy and tactics of social struggle, " a Times Literary Supplement critic says. Roy Harris, in another Times Literary Supplement review, calls Goffman "a public private-eye. . . forever on the lookout for candid-camera evidence which might lead to divorce proceedings between ourselves and our social images." NEEL'S DAILY: Follow Me Here Arts & Letters Daily wood s lot simcoe JASON'S DAILY: Slate Romenesko McSweeney's Pitchfork SUE'S DAILY: Gotham Gazette Tom Tomorrow Media Whores Online |
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